Robust Harmful Meme Detection under Missing Modalities via Shared Representation Learning

Internet memes are powerful tools for communication, capable of spreading political, psychological, and sociocultural ideas. However, they can be harmful and can be used to disseminate hate toward targeted individuals or groups. Although previous studies have focused on designing new detection methods, these often rely on modal-complete data, such as text and images. In real-world settings, however, modalities like text may be missing due to issues like poor OCR quality, making existing methods sensitive to missing information and leading to performance deterioration. To address this gap, in this paper, we present the first-of-its-kind work to comprehensively investigate the behavior of harmful meme detection methods in the presence of modal-incomplete data. Specifically, we propose a new baseline method that learns a shared representation for multiple modalities by projecting them independently. These shared representations can then be leveraged when data is modal-incomplete. Experimental results on two benchmark datasets demonstrate that our method outperforms existing approaches when text is missing. Moreover, these results suggest that our method allows for better integration of visual features, reducing dependence on text and improving robustness in scenarios where textual information is missing. Our work represents a significant step forward in enabling the real-world application of harmful meme detection, particularly in situations where a modality is absent.

How Far Can Pretrained LLMs Go in Symbolic Music? Controlled Comparisons of Supervised and Preference-based Adaptation

Music often shares notable parallels with language, motivating the use of pretrained large language models (LLMs) for symbolic music understanding and generation. Despite growing interest, the practical effectiveness of adapting instruction-tuned LLMs to symbolic music remains insufficiently characterized. We present a controlled comparative study of finetuning strategies for ABC-based generation and understanding, comparing an off-the-shelf instruction-tuned backbone to domain-adapted variants and a music-specialized LLM baseline. Across multiple symbolic music corpora and evaluation signals, we provide some insights into adaptation choices for symbolic music applications. We highlight the domain adaptation vs.~preserving prior information tradeoff as well as the distinct behaviour of metrics used to measure the domain adaptation for symbolic music.

Distillation-based Layer Dropping (DLD): Effective End-to-end Framework for Dynamic Speech Networks

Edge devices operate in constrained and varying resource settings, requiring dynamic architectures that can adapt to limitations of the available resources. To meet such demands, layer dropping ($\mathcal{LD}$) approach is typically used to transform static models into dynamic ones by skipping parts of the network along with reducing overall computational complexity. However, existing $\mathcal{LD}$ methods greatly impact the dynamic model's performance for low and high dropping cases, deteriorating the performance-computation trade-off. To this end, we propose a distillation-based layer dropping (DLD) framework that effectively combines the capabilities of knowledge distillation and $\mathcal{LD}$ in an end-to-end fashion, thereby achieving state-of-the-art performance for dynamic speech networks. Comprehensive experimentation utilizing well-known speech recognition methods, including conformer and WavLM, on three public benchmarks demonstrates the effectiveness of our framework, reducing the word error rate by $9.32\%$ and $2.25\%$ for high and no dropping cases with $33.3\%$ reduction in training time.

Face-Voice Association with Inductive Bias for Maximum Class Separation

Face-voice association is widely studied in multimodal learning and is approached representing faces and voices with embeddings that are close for a same person and well separated from those of others. Previous work achieved this with loss functions. Recent advancements in classification have shown that the discriminative ability of embeddings can be strengthened by imposing maximum class separation as inductive bias. This technique has never been used in the domain of face-voice association, and this work aims at filling this gap. More specifically, we develop a method for face-voice association that imposes maximum class separation among multimodal representations of different speakers as an inductive bias. Through quantitative experiments we demonstrate the effectiveness of our approach, showing that it achieves SOTA performance on two task formulation of face-voice association. Furthermore, we carry out an ablation study to show that imposing inductive bias is most effective when combined with losses for inter-class orthogonality. To the best of our knowledge, this work is the first that applies and demonstrates the effectiveness of maximum class separation as an inductive bias in multimodal learning; it hence paves the way to establish a new paradigm.

Linking Faces and Voices Across Languages: Insights from the FAME 2026 Challenge

Over half of the world's population is bilingual and people often communicate under multilingual scenarios. The Face-Voice Association in Multilingual Environments (FAME) 2026 Challenge, held at ICASSP 2026, focuses on developing methods for face-voice association that are effective when the language at test-time is different than the training one. This report provides a brief summary of the challenge.

RobustA: Robust Anomaly Detection in Multimodal Data

In recent years, multimodal anomaly detection methods have demonstrated remarkable performance improvements over video-only models. However, real-world multimodal data is often corrupted due to unforeseen environmental distortions. In this paper, we present the first-of-its-kind work that comprehensively investigates the adverse effects of corrupted modalities on multimodal anomaly detection task. To streamline this work, we propose RobustA, a carefully curated evaluation dataset to systematically observe the impacts of audio and visual corruptions on the overall effectiveness of anomaly detection systems. Furthermore, we propose a multimodal anomaly detection method, which shows notable resilience against corrupted modalities. The proposed method learns a shared representation space for different modalities and employs a dynamic weighting scheme during inference based on the estimated level of corruption. Our work represents a significant step forward in enabling the real-world application of multimodal anomaly detection, addressing situations where the likely events of modality corruptions occur. The proposed evaluation dataset with corrupted modalities and respective extracted features will be made publicly available.

Music4All A+A: A Multimodal Dataset for Music Information Retrieval Tasks

Music is characterized by aspects related to different modalities, such as the audio signal, the lyrics, or the music video clips. This has motivated the development of multimodal datasets and methods for Music Information Retrieval (MIR) tasks such as genre classification or autotagging. Music can be described at different levels of granularity, for instance defining genres at the level of artists or music albums. However, most datasets for multimodal MIR neglect this aspect and provide data at the level of individual music tracks. We aim to fill this gap by providing Music4All Artist and Album (Music4All A+A), a dataset for multimodal MIR tasks based on music artists and albums. Music4All A+A is built on top of the Music4All-Onion dataset, an existing track-level dataset for MIR tasks. Music4All A+A provides metadata, genre labels, image representations, and textual descriptors for 6,741 artists and 19,511 albums. Furthermore, since Music4All A+A is built on top of Music4All-Onion, it allows access to other multimodal data at the track level, including user--item interaction data. This renders Music4All A+A suitable for a broad range of MIR tasks, including multimodal music recommendation, at several levels of granularity. To showcase the use of Music4All A+A, we carry out experiments on multimodal genre classification of artists and albums, including an analysis in missing-modality scenarios, and a quantitative comparison with genre classification in the movie domain. Our experiments show that images are more informative for classifying the genres of artists and albums, and that several multimodal models for genre classification struggle in generalizing across domains. We provide the code to reproduce our experiments at https://github.com/hcai-mms/Music4All-A-A, the dataset is linked in the repository and provided open-source under a CC BY-NC-SA 4.0 license.

PAEFF: Precise Alignment and Enhanced Gated Feature Fusion for Face-Voice Association

We study the task of learning association between faces and voices, which is gaining interest in the multimodal community lately. These methods suffer from the deliberate crafting of negative mining procedures as well as the reliance on the distant margin parameter. These issues are addressed by learning a joint embedding space in which orthogonality constraints are applied to the fused embeddings of faces and voices. However, embedding spaces of faces and voices possess different characteristics and require spaces to be aligned before fusing them. To this end, we propose a method that accurately aligns the embedding spaces and fuses them with an enhanced gated fusion thereby improving the performance of face-voice association. Extensive experiments on the VoxCeleb dataset reveals the merits of the proposed approach.

Hybrid Personalization Using Declarative and Procedural Memory Modules of the Cognitive Architecture ACT-R

Recommender systems often rely on sub-symbolic machine learning approaches that operate as opaque black boxes. These approaches typically fail to account for the cognitive processes that shape user preferences and decision-making. In this vision paper, we propose a hybrid user modeling framework based on the cognitive architecture ACT-R that integrates symbolic and sub-symbolic representations of human memory. Our goal is to combine ACT-R's declarative memory, which is responsible for storing symbolic chunks along sub-symbolic activations, with its procedural memory, which contains symbolic production rules. This integration will help simulate how users retrieve past experiences and apply decision-making strategies. With this approach, we aim to provide more transparent recommendations, enable rule-based explanations, and facilitate the modeling of cognitive biases. We argue that our approach has the potential to inform the design of a new generation of human-centered, psychology-informed recommender systems.

Familiarizing with Music: Discovery Patterns for Different Music Discovery Needs

Humans have the tendency to discover and explore. This natural tendency is reflected in data from streaming platforms as the amount of previously unknown content accessed by users. Additionally, in domains such as that of music streaming there is evidence that recommending novel content improves users' experience with the platform. Therefore, understanding users' discovery patterns, such as the amount to which and the way users access previously unknown content, is a topic of relevance for both the scientific community and the streaming industry, particularly the music one. Previous works studied how music consumption differs for users of different traits and looked at diversity, novelty, and consistency over time of users' music preferences. However, very little is known about how users discover and explore previously unknown music, and how this behavior differs for users of varying discovery needs. In this paper we bridge this gap by analyzing data from a survey answered by users of the major music streaming platform Deezer in combination with their streaming data. We first address questions regarding whether users who declare a higher interest in unfamiliar music listen to more diverse music, have more stable music preferences over time, and explore more music within a same time window, compared to those who declare a lower interest. We then investigate which type of music tracks users choose to listen to when they explore unfamiliar music, identifying clear patterns of popularity and genre representativeness that vary for users of different discovery needs. Our findings open up possibilities to infer users' interest in unfamiliar music from streaming data as well as possibilities to develop recommender systems that guide users in exploring music in a more natural way.